The encounter with a 19th-century
anatomical atlas introduces a new
dimension: the idea of membrane.

In Agglomerations, the rope emerges by
piercing the canvas like a skin. Threads
no longer expand freely but conform to a
predefined form that limits their growth.
A distinction between interior and exterior arises.

Unlike Impregnations, overlapping is
allowed. The work becomes denser, more
organic, approaching biological formations.
Mathematical logic does not disappear,
but becomes more complex.

The work engages with the idea of
containment: how far can something grow?
What defines the limits of a system?