On the four canvasses that are part of the show "Right here, right now" (entitled Ciclotrama 137, Ciclotrama 138, Ciclotrama 139, Ciclotrama 140) are displayed in a smaller area, the artist makes use again of industrial ropes, which are unwoven and fixed according to the same system of division, bifurcation and crossing of threads. However, here Janaina Landini chose to use as a surface plane a special fabric used in the manufacture of nautical boat sails. On it are embroidered geographic coordinates inspired by old and current maps, before the artist attaches the webs of coloured thread. Again, real and virtual space are interwoven, creating a new design, because at the same time that the embroidery refers to the existing, the web tells us of an imaginary space that can also be real. The room with the Ciclotramas is arranged so that the ropes in shades of blue and black are clustered in the centre, connecting all the works. This hodgepodge suggests the existence of a common, still chaotic energy core that tends to propagate, and which will become arranged in the overlapping webs of threads on the surface of the canvases. Poetically, it shows the inseparable relationship between the part and the whole, and the coexistence of interdependence and autonomy through a subtle correspondence of forces. It is interesting to note that these canvasses also suggest openness to reorganization. From the theoretical point of view, geography works with relatively stable boundaries, or that take a long time to be redesigned. But in the contemporary world relations and flows respond to a special dynamic, accelerated by technology. We can imagine new geographical maps created daily by the reinstating of diverse connections, beyond the limitations of the physical space. It is evident that this freedom of movement is not always welcomed by everyone. However, the desire for expansion, as the artist seems to remind, is part of the history of humanity, especially since the modern era. The desire for mobility redesigned the geographical map and gave us a new apprehension of the Earth through the Age of Exploration, a decisive factor for the formation of our worldview. Today we see another kind of expansion, perhaps less real, and more virtual. But that has the same power to redesign our imaginary. In any case, the plastic form of living organisms, which seems to inspire the artist, is present both in nature and in society. To understand the on-going rearrangements of our social and natural environment is a more than current challenge. And also to think about the fragility of its system of reciprocal compensations, which can be put in check by a more abrupt movement, generating an irremediable imbalance.