In the series Labyrinths, the artist strains the use of geometry by creating a sort of quasi-classical perspective that appears to converge toward a center. However, this center is unstable, and the result is not a faithful representation of an existing space, but a construction that combines different viewpoints, nested within one another, creating a broad and deep image.

In this unfolding of the Mirrors series, the perspective gains a window in a different color at the back of the perspective, which reflects like a mirror the entire virtual reality already created on the screen; it reorganizes perception, creating a virtual fold where the represented space and the reflected space coexist.