This unfolding of the Labyrinths stems from a main perspective drawn with nails and threads on the walls.

Using the concept of syntropy — which describes systems that spontaneously organize themselves toward states of greater order, concentration, and differentiation — the artist acts upon specific points of this perspective and inserts a canvas of the same scale, fitted into the drawing.

The satin reverberates light as the observer moves, altering the perception of the canvases. Amidst the rigidity of the grid on the wall, these flashes establish small places of affection — the systematic drawing opens up to a more intimate and syntropic experience.